Pronunciation: [mɐɹˈiː hˈɛnɹi bˈe͡ɪl] (IPA) 
Marie Henri Beyle was a French writer who wrote under the pseudonym Stendhal. The spelling of his name, when pronounced in French, is "Maʁi ɑ̃ʁi bɛl". The "r" in "Maʁi" has a guttural pronunciation, the "ã" sound in "ɑ̃ʁi" is a nasal vowel, and the "ɛ" in "bɛl" is an open-mid front unrounded vowel. Understanding the IPA phonetic transcription helps us accurately spell and pronounce foreign names and words.
Marie Henri Beyle, also known by his pen name Stendhal, was a prominent French writer, critic, and an influential figure in 19th-century literature. Born on January 23, 1783, in Grenoble, France, Beyle's works reflect his keen observations of human psychology, emotional depth, and realism.
Known for his masterpieces such as "The Red and the Black" and "The Charterhouse of Parma," Beyle's writings often delve into themes of love, ambition, social class, and the complexities of human relationships. His works are characterized by vivid descriptions, introspective analysis of characters' emotions, and a distinctive psychological insight into the minds of his protagonists.
Beyle's style of writing contributed to the development of literary realism, with his keen ability to depict the intricacies of human thought and behavior. His astute observations of society, combined with his analytical approach to psychological motivations, set him apart from his contemporaries.
Beyond his literary achievements, Beyle was also an avid art lover and traveled extensively throughout Europe, which greatly influenced his writings. He served as a French consulate in various cities, including Milan and Trieste, further broadening his experiences and worldviews.
Marie Henri Beyle, known as Stendhal, left an indelible mark on the literary landscape through his insightful observations of human nature, his skillful characterizations, and his contribution to the development of realism in literature. His works continue to be celebrated for their profound psychological depth and their enduring exploration of the complexities of the human condition.
